One of the more arresting things coming out of the hip hop world just these past few days is a video from black rapper Joyner Lucas. It’s called “I’m Not Racist” and, since its November 28 release, it has gone viral, racking up tens of millions of views on Facebook and millions more on YouTube. It’s more spoken word material than rap per se, given its minimal instrumentation and virtual lack of an explicit beat or percussion. A person who knows nothing of English would probably not be able to distinguish it from countless freestyle performances at poetry slams across the country. That is, it’s a narrative told in desperate earnest with solid rhythm, clever wordplay, and cheating rhyme. At best, the people who weave such yarns have little more to offer than attitude, a tolerable control of the English language, and a mastery of the litany of things black people like to complain about in America.
Earlier this month President Trump instructed the National Archives to release hundreds of previously-sealed documents which pertained to the assassination of President John F. Kennedy. Included among these documents were two FBI files which, curiously enough, have little to do with the Kennedy assassination but could have great bearing on the current struggles of the Dissident Right. In Part 1 of this series, we covered the May 1967 FBI report entitled “Racial Violence Potential in the United States This Summer.”
Whiteness is a birth defect.
Earlier this month President Trump instructed the National Archives to release hundreds of previously-sealed documents which pertained to the assassination of President John F. Kennedy. Included among these documents were two FBI files which, curiously enough, have little to do with the Kennedy assassination but could have great bearing on the current struggles of the Dissident Right. In 1994, the National Archives JFK Task Force marked both of these documents for “total denial” of their release (the other two options were “release in full” and “release in part”). Why these documents were kept secret and why they now have become available remains a mystery. Much less mysterious, however, is how the Dissident Right can use these documents to further their cause.
The stars came out in Hollywood on November 2nd, or at least some of them did. The gala event celebrated the Israel Defense Forces (IDF) and raised funds to support its mission in Israel itself and on the occupied West Bank. The organization being fêted was the Friends of the Israel Defense Forces (FIDF), which has fourteen regional offices in the United States and operates under the slogan “Their job is to look after Israel. Our job is to look after them.” In attendance were Arnold Schwarzenegger and actor Gerald Butler. Entertainment was provided by the singer Seal.
Imagine a world where people live so devoid of happiness that it becomes a popular pastime to compensate by simply watching recordings of people smiling. The need is so severe that when making these recordings, no one even bothers to build in a plot—they just get right to the action of depicting images of people smiling, utterly devoid of any further context or deeper meaning. The purpose of consuming this media isn’t to appreciate the reasons why these are individuals smiling and then smile for the same reasons they do—but simply to allow yourself to be influenced at a physiological level by the fact that they are physically smiling.
On October 4th, 2017, four Special Operations Forces soldiers were killed in an ambush in the African nation of Niger. Among the fallen was a single black soldier, Sergeant La David T. Johnson. When President Trump called Sgt. Johnson’s widow Myeshia Johnson to offer his condolences, the president was claimed to have been “insensitive” and “disrespectful” by the Negro Congresswoman Frederica Wilson. Congresswoman Wilson said she’d secretly listened to the condolence call “on speaker” at the receiving end. The allegations created a racial affray and a media firestorm. Responding to these allegations eventually involved much of the Trump Administration’s White House staff.
A Truth Not Welcome: People do not like being with those different from themselves. Sometimes, briefly, we find it interesting, as in traveling, but for extended periods, no. This distaste pervades society, often unnoticed, with consequences.
The opening credits to Star Trek Discovery are a veritable barrage of Goldmans, Meyers, Kurtzmans and Wisemans that come at you like photon torpedoes slamming into a warp drive. I’d heard the rumours, this was the most blatantly anti-white show ever made, but nevertheless, I boldly went where few white Nationalists had gone before, deep, deep into the Jewish controlled Alpha Quadrant of mass entertainment.
If you were to see someone making the following statement, where would you peg him as standing on the ideological spectrum?
“There’s a certain ritual of apology that white people and all white advocacy groups are expected to go through immediately following any incident of white violence. . . . This expectation we place on white people, to be absolutely clear, is anti-white bigotry. The denunciation is a form of apology: an apology for being white. The implication is that every white person is under suspicion of being sympathetic to white violence unless he or she explicitly says otherwise. There is no legitimate reason for white racial advocacy groups to need to condemn Dylann Roof or Stephen Paddock.”
What about this one?
“While politicians and anti-whites continue to pressure whites into nonsensical apologies based on our identity, many whites have, unfortunately, internalized the narrative of collective responsibility, leading them to issue condemnations of acts of violence and terrorism based only on the fact that we share the same color of skin. Coupled with the ever present voice of those calling for whites to speak out against white racist violence, those who have stepped up to this plate . . . [have merely internalized] the dominant narrative where whites are guilty until proven innocent.”
Is it possible that these numbers are biased by racist police? No.
Here’s how we know: the National Crime Victimization Survey collects data from victim and witness reports. This data is dependent only on those who testify about crimes they witnessed directly, or on testimony from the victims of violence themselves. Police bias doesn’t even enter the equation.
Twisting the facts to fit the narrative.
The movie Detroit, written by Mark Boal and directed by Kathryn Bigelow, deals with the Algiers Motel incident, an event during the 1967 Detroit riots in which three young black men, Carl Cooper (Jason Mitchell), Fred Temple (Jacob Latimore), and Aubrey Pollard (Nathan Davis, Jr.), were killed by white Detroit police officers. The movie’s trailer invites viewers to “Discover the Truth.” But Detroit plays fast and loose with the facts and obscures the likely truth about this tragic incident, by turning it into an anti-white morality play.
The pursuit of truthfulness has been a uniquely Western ambition since the ancient Greeks came to discover that humans have a faculty called “mind” or “nous” that is distinguishable from bodily appetites and the “spirited” personal emotions, which allows human beings to think rationally in accordance with logical principles and factually demonstrated evidence over and above one’s inclinations and the taken for granted conventions of the time.
The Affirmative Action Hoax: Diversity, the Importance of Character and Other Lies
New Century Books, 2nd ed., 2010
Some books are important to the Right because they make us view life differently. They ‘red-pill’ us, so to speak, and open our eyes to modes of thinking which have become almost completely obscured by cultural Marxism in recent years. Other books however allow us to red-pill others. They provide ingenious arguments or unearth critical, hard-to-find evidence which point inexorably to the conclusion that everyone on the Right has already reached: that the Right is, well, right.
An Essex-based family doctor of Indian origin, Manish Shah, has gone on trial in London charged with 118 sexual offences against 54 of his patients, one of whom was under 13 at the time of Shah’s alleged predations. Although the sordid details of the accusations against Shah are yet to fully emerge, we know that the former general practitioner has been charged by the police and Crown Prosecution Service (CPS) with 65 counts of assault by penetration, 52 counts of sexual assault and one of sexual assault of a child.
On July 27, 2017 President Trump tweeted his intention to ban transgender people from serving in the military, a move which would reverse President Obama’s decision to allow them to serve. (Prior to Obama, trans people were not allowed to serve.) As of the writing of this post, Trump’s tweet has not become official law or policy, but it has set off a firestorm of internet debate, with everyone picking sides primarily based on whether they like trans people or not, rather than what’s actually best for the military.
All across America a great iconoclasm is happening. What started with murmurs of disapproval and the banishing of suspect symbols has become an out and out torrent of rage against collective memory. In towns and cities across the South, Confederate monuments that have stood in their silent watch for a century or more are being dismantled and removed in the dead of night by cowardly municipal councils hoping to appease the howling mob.
Frustrated with the slow pace of bureaucratic vandalism, the same mob has taken it on itself to engage in vigilante vandalism to destroy these icons in broad daylight instead — literally trampling and spitting on the past with self-congratulatory abandon. This attack on history is not new. It is simply the culmination of a process which has been on-going in Hollywood and in print for years; the psychological destruction of history has now manifested itself in the physical realm. Yet their actions which aim to show their strength, in reality show their weakness. Though they may be able to operate with seeming impunity, the factor which above all motivates them is fear. They are frightened of history itself, and its power to potentially awaken the spirit of resistance.
When I was growing up, “emo” was all the rage among white kids. For teenagers who weren’t good at sports, didn’t like hip-hop, and weren’t well adjusted enough simply to be nerds, emo was their niche. Short for “emotional,” being emo meant having feelings: being too sensitive for the big, cruel world.
What I saw in the emo mind gave me real insight into the otherwise incomprehensible mentality of white “anti-racists.”
Sometimes you find a report which was never, ever supposed to be seen.
And you can’t unsee it.
The New Orleans Times-Picayune obviously has writers, editors, or paid contributors who have viewed it, but they assiduously avoided bringing any attention to it.
Viktor Orbán’s speech at the 28th Bálványos Summer Open University and Student Camp, July 22, 2017, Tusnádfürdő (Băile Tuşnad, Romania)
First of all, I’d like to remind everyone that we started a process of collective thinking 27 years ago in Bálványosfürdő, a few kilometres from here. That is where we came to a realisation. Just think back: at that time, at the beginning of the nineties, most people – not only in Hungary, but also across the whole of Central Europe – thought that full assimilation into the Western world was just opening up to us again. The obvious approach was adjustment to that world: to in a way shed our skin and grow a new, fashionable Western skin. From this it followed that in our politics we would simply need to copy what they were doing in the West. Back then – 27 years, 28 years ago – we came together here, and we thought that we freedom fighters living on this side of the Iron Curtain could also have something valuable to say to a Europe which had by then been living in peace, freedom and prosperity for forty years. Back then we weren’t surrounded by television cameras, and our words commanded no attention whatsoever.
On July 20, 2017, Chester Bennington, lead singer of the band Linkin Park, committed suicide by hanging. Just two months previously, Bennington perform Leonard Cohen’s “Hallelujah” at Soundgarden and Audioslave singer Chris Cornell’s funeral after Cornell was found dead, having also committed suicide by hanging, on May 18. These were just the most recent in a spree of mostly white and mostly male high-profile suicides over the past several years, from actor Robin Williams to author David Foster Wallace.
Douglas Murray’s new book, The Strange Death of Europe: Immigration, Identity, Islam is a terrifying tour de force of the Islamification of Europe. Many who consider themselves educated and informed will roll their eyes and scoff at such a description of the demographic transformation of Europe, and hastily reply, without any irony, that such a transformation is not taking place, but that it if it were, it would be good. Murray’s book challenges, in the most sympathetic way possible, this suicidal self-satisfaction and self-deceit.